Rero
Born in 1983, the French artist Rero lives and works between São Paulo and Paris.Originally trained in economics and sociology, he developed his artistic practice outside the academic fine-art circuit. Rero is known for an immediately recognisable visual language: words written in capital letters and then struck thro…
Born in 1983, the French artist Rero lives and works between São Paulo and Paris.
Originally trained in economics and sociology, he developed his artistic practice outside the academic fine-art circuit. Rero is known for an immediately recognisable visual language: words written in capital letters and then struck through, creating multiple and often contradictory readings.
Far from being simple textual interventions in urban space, his work belongs to the tradition of conceptual art, combining image and language to question collective perceptions and prompt reflection.
He uses the Verdana typeface for its neutral, impersonal character, in deliberate opposition to the highly personal calligraphy of graffiti, and so builds works that constantly question meaning, truth and interpretation.
By striking through the words, he introduces ambiguity: is the statement true, false, or does its opposite become the meaning?
His work turns public space into a site of critical reflection rather than mere visual consumption. In 2013 he presented Do Not Cross the Line at the Centre Pompidou, curated by Sarah Mattera.
Originally trained in economics and sociology, he developed his artistic practice outside the academic fine-art circuit. Rero is known for an immediately recognisable visual language: words written in capital letters and then struck through, creating multiple and often contradictory readings.
Far from being simple textual interventions in urban space, his work belongs to the tradition of conceptual art, combining image and language to question collective perceptions and prompt reflection.
He uses the Verdana typeface for its neutral, impersonal character, in deliberate opposition to the highly personal calligraphy of graffiti, and so builds works that constantly question meaning, truth and interpretation.
By striking through the words, he introduces ambiguity: is the statement true, false, or does its opposite become the meaning?
His work turns public space into a site of critical reflection rather than mere visual consumption. In 2013 he presented Do Not Cross the Line at the Centre Pompidou, curated by Sarah Mattera.
Receive news
Stay informed about the artist's upcoming works and news.
